MA3 bibliography(magenta)
MA2 bibliography(green)
MA1 bibliography(blue)
Aitken, D. (2006) Broken Screen, Expanding the Image, Breaking the Narrative, 26 Conversations with Doug Aitken. New York: Distributed Art Publishers.
Alaimo, S., Hekman, S. [eds.] (2008) Material Feminism. Bloomington: Indiana University Press [online] At: https://monoskop.org/images/5/56/Alaimo_Stacy_Heikman_Susan_eds_Material_Feminisms.pdf (Accessed 28.12.19).
Alexander, J.A.P. (2015) Perspectives on Place, Theory and Practice in Landscape Photography. London: Bloomsbury Publishing Ltd.
Alic, C. (2014) Contested Landscape of the Female Gaze, Self – Portraits of Resistance to Gender Oppression [online thesis] At: https://www.academia.edu/11229429/Contested_Landscapes_of_the_Female_Gaze_Self-Portraits_as_Resistance_to_Gender_Oppression (Accessed 14.01.20).
Arts Tonight (2015) Making 1916: Material and Visual Culture of the Easter Rising. RTÉ Radio 1, 2nd November: 20.00 [radio online] At: http://www.rte.ie/radio/utils/radioplayer/rteradioweb.html#!rii=b9_10484617_1538_02-11-2015_ (Accessed 30.03.18).
Audi, R (ed.) (1999) ‘Phenomenology’. In: The Cambridge Dictionary of Philosophy.(2nd ed.) Cambridge: Cambridge University Press. pp: 664 – 666.
Barker, J.M. (2009) The Tactile Eye, Touch and the Cinematic Experience. Berkeley: University Press of California Press.
Barthes, R. (1993) Camera Lucida. London: Random House U.K. Ltd.
Baudrillard, J. (2018) Baudrillard, Hyperreality and Simulacra. [online] At: http://pegasus.cc.ucf.edu/~janzb/courses/phi4804/baudrillard1.htm. (Accessed 15.03.18).
Beaumont, C. (1997) ‘Women, Citizenship and Catholicism in the Irish
free state, 1922-1948’ In: Women’s History Review, 6:4, pp. 563-585. At: https://doi.org/10.1080/09612029700200154 (Accessed 28.04.18).
Bishop, C. (2012) Artificial Hells, Participatory Art and the Politics of Spectatorship. London: Verso [online] At: https://selforganizedseminar.files.wordpress.com/2011/08/bishop-claire-artificial-hells-participatory-art-and-politics-spectatorship.pdf (Accessed 23.02.18).
Bhreathnach-Lynch, S. (1997) Landscape, Space, and Gender
Their Role in the Construction of Female Identity [online] At: https://cws.journals.yorku.ca/index.php/cws/article/view/8831/8008 (Accessed 01.11.17).
Blackman, L., & Venn, C. (2010). ‘Affect’ In: Body & Society, 16(1), 7–28 [online] At: https://doi.org/10.1177/1357034X09354769 or https://www.academia.edu/228046/Affect (Accessed 19.01.19).
Blalock, J. (2014) Camera Evolution. [Masters thesis] University of Washington. At file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202019-20/written%20work/contextual%20study/reading/camera%20evolution%20blalock_washington_masters.pdf (Accessed 03.05.20).
Boland, E. (1980) In Her Own Image. Dublin: Arlen House Ltd.
Bourriaud, N. (1998) Relational Aesthetics [online] At: http://post.thing.net/files/relationalaesthetics.pdf (Accessed 23.02.18).
Buckworth, J., Hanson, N. J. (2016) ‘Sex Differences in Time Perception During Self-Paced Running’. In: International Journal of Exercise Science [online] 9 (4): 514-523, 1st October. At: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5065319/(Accessed 02.05.20).
Butler, J. (1988) ‘Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory’ In: Theatre Journal, 40 (4) pp. 519-531. Baltimore: The Johns Hopkins University Press. At: https://www.amherst.edu/system/files/media/1650/butler_performative_acts.pdf (Accessed 28.03.20).
Butler, J. (1990) ‘Gender Trouble, Feminist Theory and Psychoanalytic Discourse’ In: Feminism/Postmodernism [online] London: Routledge. At: https://books.google.ie/books?hl=en&lr=&id=HuAoe4phOgEC&oi=fnd&pg=PA324&dq=unconscious+performance+of+gender+vlaues+practices+judith+butler&ots=wgzxWVlDpj&sig=4j8xLRJRA8RbNcV-EVgf9q14biY&redir_esc=y#v=onepage&q&f=false (Accessed 05.04.20).
Butler Cullingford, E. (2008) ’Thinking of Her . . . as . . . Ireland’: Yeats, Pearse and Heaney. [online] At: https://www.tandfonline.com/doi/abs/10.1080/09502369008582073 (Accessed 30.03.18).
Cachia, A. (2015) Bodies in Deliberate Motion: The Phenomenology of Complex Embodiment [online]At: http://fleshoftheworld.ca/essay/ (Accessed 07.02.19).
Cagigas, A. F., Callejas-Aguilera, J. E., Rosas, J. M., Vico-Prieto, A. (2016) Experimental Approach to the Study of Beauty: The Role of Golden Proportion. [thesis] Psicológica (2016), 37, 187-207. Universidad de Jaén, Spain. At: https://www.uv.es/psicologica/articulos2.16/5Vico.pdf (Accessed 19.03.20)
Clarke, G. (1997) The Photograph. Oxford: Oxford University Press [online] At: https://monoskop.org/images/c/c6/Clarke_Graham_The_Photograph_1997.pdf (Accessed 21.03.19).
Collyer Bristow Gallery (2015) Liberties: An Exhibition of Contemporary Art Reflecting 40 Years Since the Sex Discrimination Act [online exhibition guide] At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Liberties+A3_guide_toprint%20a%20womans%20place.pdf (Accessed 13.10.18).
Cosgrove, D. (1985) ‘Prospect, Perspective and the Evolution of the Landscape Idea’ In: Transaction of the Institute of British Geographers (10) 1 pp. 45-62. London: Wiley Blackwell At: https://www.slideshare.net/BrbaraOliveiradePaulo/1985-cosgrove-d-perspective-and-the-evolution-of-the-landscape-idea (Accessed 06.04.20).
Cosgrove, D. (1988) ‘The Geometry of Landscape: Practical and Speculative Arts in Sixteenth-Century Venetian Land Territories’ In: Cosgrove, D. Daniels, S. (eds.) The Iconography of Landscape. Cambridge: Cambridge University Press.
Cosgrove, D., Daniels, S. (1988) The Iconography of Landscape. Cambridge: Cambridge University Press.
Covey, S. R. (1989) ‘The Power of a Paradigm’ In: The Seven Habits of Highly Effective People. [online] At: http://www.ignaciodarnaude.com/espiritualismo/Covey,Habits%20of%20highly%20effective%20people.pdf (Accessed 20.07.19).
Cresswell, T. (2015) Place, An Introduction. 2nd Edition. Chichester: Blackwell Publishing Ltd.
Crowe, E. (2019) Landscape Framework: The Lens as an Embodied Practice and its Gendered Framing of the Landscape [online] At: https://elainecrowema.wordpress.com (Accessed 10.05.20).
Cummins. P. (2018) Biography. [online] At: http://www.paulinecummins.com/. (Accessed 16.02.18).
Cv/VAR, (2011) Interviews – Artists, Patterns of Experience, Recordings 1988-2011. London: Cv Publications.
Czerniak, J. (1997) ‘Challenging the Pictorial: Recent Landscape Practice.’ Assemblage, no. 34, 1997, pp. 110–120. Cambridge MA: MIT Press. At: http://www.jstor.org/stable/3171255. (Accessed 27.01.20).
Devereaux, L., Hilman, R. (1995) Fields of Vision: Essays in Film Studies, Visual Antropology, and Photography. California: University of California Press. [online] At: https://books.google.ie/books?id=fkwxp0Y2bMYC&pg=PA106&lpg=PA106&dq=The+term+frame+refers+to+the+structuring+visual+content+within+parameters+landscape+photography&source=bl&ots=2NizKN1I3s&sig=ACfU3U35hSFDMTpmHXqBbPGgQS1aPhM0pA&hl=en&sa=X&ved=2ahUKEwjV55Dn75noAhU7UhUIHTB_B1YQ6AEwCnoECAgQAQ#v=onepage&q=The%20term%20frame%20refers%20to%20the%20structuring%20visual%20content%20within%20parameters%20landscape%20photography&f=false (Accessed 14.03.20).
Dickinson, E. (1924) Time and Eternity. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Emily%20Dickinson.pdf (Accessed 13.01.17).
Dublin City Gallery (2007) Beyond The Studio, A Symposium on The Role of the Studio in Creative Production Today. Dublin: Dublin City Gallery. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/5649_toprintsymposium%20beyond%20the%20studio.pdf (Accessed 27.09.17).
Elkins, J. (2002) Stories of Art. New York: Routledge.
Ermens, B. (2016) Gender Subversion in Virginia Wolfe’s Work: Comparing a Room of One’s Own, Orlando and To the Lighthouse [Thesis for BA English Language and Culture] Radboud University Nijmegen. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/virginia%20wolfeErmens,%20Bregje%204339037.pdf (Accessed 12.13.18).
Euclid (300 BC) Elements of Geometry [online] At: http://farside.ph.utexas.edu/Books/Euclid/Elements.pdf (Accessed 06.04.20).
Fatlolon, C. (2020) ‘Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory’ in Reading Protocol – 2 [online publication] At: https://www.academia.edu/34921725/Performative_Acts_and_Gender_Constitution_An_Essay_in_Phenomenology_and_Feminist_Theory?auto=download (Accessed 28.03.20).
female video artists: https://www.dazeddigital.com/art-photography/article/47384/1/8-visionary-female-artists-who-revolutionised-video-art
Fulford, S. (1988) Gendered Spaces in Contemporary Irish Poetry. Oxford: Peter Lang [online] At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Gendered%20Spaces%20in%20Contemporary%20Irish%20Poetry.pdf (Accessed 20.02.18).
Geraghty, I. (2008) The Reconfigured Frame, Various Forms and Functions of the Physical Frame in Contemporary Art [PhD thesis] At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202019-20/contextual%20study/the%20reconfigured%20frame.pdf (Accessed 02.01.20).
Giddens. A. (2001) ‘Gender and Sexuality’ In: Sociology, 4th Edition. Cambridge: Polity Press. ch 5, pp. 104-140.
Gonzalez, M.P. (2011) Landscape in Irish and Iberian Galician Poetry by Women Authors. Vol 13, Issue 5. Perdue: Perdue University Press. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Landscape%20in%20Irish%20and%20Iberian%20Galician%20Poetry%20by%20Women%20Authors.pdf (Accessed 04.04.18).
Graham, A. M. (2012) Unmarried Mothers: The Legislative Context in Ireland, 1921 – 79. [BA thesis for Degree on M.Litt.] NUI Maynooth. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/M._Litt._Thesis%20unmarried%20women%20policy.pdf (Accessed 14.12.18).
Griffin, S. (1978) Woman and Nature, The Roaring Inside Her. New York: Harper & Row.
Gunhild Setten (2003) Landscapes of Gaze and Practice, Norsk Geografisk Tidsskrift – Norwegian, Journal of Geography, 57:3, 134-144. At: http://dx.doi.org/10.1080/00291950310002116 (Accessed 13.01.19)
Hays, D. (2012) Screen as Landscape. [PhD thesis] Kingston University. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202019-20/written%20work/contextual%20study/reading/Dan%20Hays%20PhD%202012%20Screen%20as%20Landscape.pdf (Accessed 01.05.20).
Huffman, N. (1997) ‘Charting the Other Maps: Cartography and Visual Methods In Feminist Research’ In: Jones, Nast, Roberts (eds) Thresholds in Feminist Geographies, Difference, Methodologies, Representation. pp. 255-284 [online] At: https://books.google.ie/books?id=TGdd8mY3heQC&pg=PA255&lpg=PA255&dq=nikolas+huffman+maps+and+cartography&source=bl&ots=7lq_xDicrK&sig=CEv79rbS6ptgcdX487Fh2S7c1tw&hl=en&sa=X&ved=0ahUKEwi1vObq8tzaAhVmCcAKHeOdAfgQ6AEIOzAD#v=onepage&q=nikolas%20huffman%20maps%20and%20cartography&f=false (Accessed 28.04.18).
Hancock, P., Hughes, B., Jagger,E., Patterson, K, Russel, R., Tulle Winton, E., Tyler, M. (2000) The Body, Culture and Society, An Introduction, Buckingham: Open University Press [online] At: https://www.mheducation.co.uk/openup/chapters/0335204139.pdf (Accessed 20.03.19).
Heartney, E. (2008) Art and Today. London: Phaidon Press.
Highsnobiety [online] At: https://www.highsnobiety.com/2015/08/18/best-video-artists/(Accessed 13.05.18).
Holloway, W., Lucey, H., Phoenix, A. (2007) ‘The Body: A Phenomenological Psychological Perspective’ In: Social Psychology Matters [online] At: https://www.open.edu/openlearn/ocw/mod/oucontent/view.php?id=4281&printable=1 (Accessed 19.03.19).
Hyperallergic [online] At: https://hyperallergic.com/409920/how-contemporary-artists-are-embracing-the-ambiguities-of-gender/ (Accessed 26.12.18).
IMMA (2010) ‘Participatory and Relational Art’ In The What is? IMMA Talks Series.[online] At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/whatisparticipatroyandrelationalart.pdf (Accessed 16.03.18).
Ingold, T. (2013) Making, Anthropology, Archaeology, Art and Architecture. London: Routhledge [online] At: Making – EVAhttps://eva.udelar.edu.uy/…/Making%20Anthropology%2C%20Archaeology%2C%20Ar… (Accessed 05.01.19).
Ingold, T. (1993) The Temporality of the Landscape In: World Archaeology, Concepts of Time and Ancient Society. Vol. 25, no 2 (p: 152 – 174) [online] At: https://quote.ucsd.edu/sed/files/2014/09/Ingold-Temporality-of-the-Landscape.pdf (Accessed 24.03.18).
Irish Government (2015) Constitution of Ireland, Article 41. Dublin: Government Publications.
Irish Times (1999) Map of the Human Art [online] At: https://www.irishtimes.com/culture/map-of-the-human-art-1.256620 (Accessed 12.04.18).
Jackson, R. M. (2018 unpublished) Down So Long: Disputed Ideals, Ideologies of Domesticity and Feminist Rebellion. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/feminsm%20and%20domesticity.pdf (Accessed 15.02.18).
Järviluoma, H. Moisala, P. Vilkko, A. (2004) Gender and Qualitative Methods [online blog] At: https://soundstudiesblog.com/2015/02/02/vocal-gender-and-the-gendered-soundscape-at-the-intersection-of-gender-studies-and-sound-studies/ (Accessed 15.01.20).
Keane, M. (2009) National Identity, Case Study: How Do Landscapes Represent National Identity? [online] At: http://cgge.aag.org/NationalIdentity1e/CaseStudy2_Landscapes_Oct09/CaseStudy2_Landscapes_Oct09_print.html (Accessed 30.03.18).
Kerlin GAllery (2018) Kathy Prendegast [online] At: http://www.kerlingallery.com/artists/kathy-prendergast (Accessed 18.04.18).
Knight Powell, A. (2016) Squaring the Circle, The Telescopic View in Early Modern Landscapes. At: https://www.academia.edu/26542512/Squaring_the_Circle_The_Telescopic_View_in_Early_Modern_Landscape (Accessed 16.03.20).
Kodak Company (1888) The Kodak Manual. [online] New York: George Eastman Company. At: https://www.cameramanuals.org/kodak_pdf/kodak_manual_1888.pdf (Accessed 03.04.20).
Kosuth, J. (1969) ‘Comments on the First and Second Frame’ In: Art After Philosophy and After. At: http://www.ubu.com/papers/kosuth_philosophy.html (Accessed 06.04.20).
Kwon, M. (2002) One Place After Another, Site-Specific Art and Locational Identity. London: MIT Press.
Larsson, E. (2018) Photographic Engagements, Belonging and Affective Encounters in Contemporary Photography [online journal] At: https://portal.research.lu.se/portal/files/49608573/Photographic_Engagements_.pdf (Accessed 13.01.20).
Lauriola, R. (2009) The Greeks and the Utopia: An Overview through Ancient Greek Literature. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202019-20/written%20work/contextual%20study/reading/utopia%20landscapes.pdf (Accessed 13.03.20).
Lefebvre, H. (1991) The Production of Space. Oxford: Blackwell Publishers.
Lindemann, G. (1996 ) ‘The Body of Gendered Difference’ In: The European Journal of Women’s Studies. London: Sage Publications. Vol. 3, pp. 341 – 361 [online] At: https://journals.sagepub.com/doi/abs/10.1177/135050689600300402?journalCode=ejwa (Accessed 15.03.19).
Lippard, L. (1997) The Lure of the Local, Senses of Place in a Multicentered Society. New York: The New Press.
Lobo, C. V. (2018) In Search of the Female Gaze [MA thesis]. St. Martins College. At:file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202019-20/written%20work/contextual%20study/reading/In_Search_of_the_Female_Gaze_Women_as_Pr.pdf (Accessed 20.04.20).
Lojo Rodríguez, L. M. (2006) Female Iconography and Subjectivity in Eavan Boland’s In Her Own Image [online] At: Laura Ma Lojo Rodríguez Universidade de Santiago de Compostela ialojo@usc.es (Accessed 20.02.18).
Luke, B. (2018) ‘I wouldn’t be here were it not for public funding’: Turner Prize-winner Charlotte Prodger makes case for state support for the arts’ In: The Art Newspaper [online] At: https://www.theartnewspaper.com/analysis/turner-prize-winner-charlotte-prodger-praises-scottish-arts-funding (Accessed 24.04.19).
LUX: https://www.luxonline.org.uk/ – LUX (online archive on London Coop lens-based movement started in the 1960s).
Macfarlane, R. (2008) ‘I Walk Therefore I Am’ In: The Guardian [online] At: https://www.theguardian.com/books/2008/aug/30/scienceandnature.travel (Accessed 14.15.19).
Marks, L. U. (1998) ‘Video Haptics and Erotics’ In: Screen 39:4 Winter [online] At: https://www.sfu.ca/~lmarks/downloads/files/Marks%20Video%20Haptics.pdf (Accessed 03.04.20).
Marks, L. U. (2000) The Skin of Film, Interculturalism, Embodiment and the Senses. Durham: Duke University Press.
Marks, L. U. (2002) Touch, Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press.
Marks, L. U. (2017) Did We Finally Reach Gender Equality in Thirty Under 30 [online blog] At: https://blogs.timesofisrael.com/did-we-finally-reach-gender-equality-in-thirty-under-30/ (Accessed 14.04.19).
Marshal, C. (2016) Modern Ireland in 100 Artworks: 1984 – Celebration: The Beginning of Labour, by Pauline Cummins. Irish Times [online] At: https://www.irishtimes.com/culture/modern-ireland-in-100-artworks-1984-celebration-the-beginning-of-labour-by-pauline-cummins-1.2569115 (Accessed 13.03.18).
Massey, D. (1994) ‘A Global Sense of Place’ in Space, Place and Gender. Minneapolis: University of Minnesota Press. pp. 146 – 156.
Massey, D. (1995) ‘Masculinity, Dualism and High Technology’ In: Transcations of the Institute of British Geographers. 20, 487-499. [online] At: https://www.jstor.org/stable/622978?read-now=1&refreqid=excelsior%3A61a87c714bd4fea60d90b09523233894&seq=1#page_scan_tab_contents (Accessed 31.03.20).
Massumi, B. (2013) Semblance and Event: Activist Philosophy and the Occurrent Arts. Massachusetts: Massachusetts Institute of Technology.
McAllister, K, (2008) Virilio: Mimesis, Mourning and Modern Technology [online] At: https://www.academia.edu/5268190/Virilio_Mimesis_Mourning_and_Modern_Technology (Accessed 18.03.19).
McDowell, L. (1999) Gender, Identity and Place, Understanding Feminist Geographies. Cambridge: Polity Press.
Merleau-Ponty, M. (1945) Phenomenology of Perception. London: Routledge Classics. At: http://alfa-omnia.com/resources/Phenomenology+of+Perception.pdf (Accessed 07.02.19).
Merleau-Ponty (1964) ‘Eye and Mind’ In The Primacy of Perception. Evanston, USA: Northwestern University Press. pp. 159-190. At: http://www.biolinguagem.com/ling_cog_cult/merleauponty_1964_eyeandmind.pdf (Accessed 24.04.19).
Merriam-Webster (2019) ‘Landscape’ definition. In: Merriam-Webster [online] At: https://www.merriam-webster.com/dictionary/landscape (Accessed 15.03.19).
Mitchell, W.J.T. (1994) Landscape and Power (2nd ed.) Chicago: The University of Chicago Press.
MOMA [online] https://www.moma.org/learn/moma_learning/themes/investigating-identity/constructing-gender (Accessed 27.01.18).
Monk, J. (1984) Environmental Review: ER, Vol. 8, No. 1, Special Issue: Women and Environmental History (Spring, 1984), pp. 23-33 [online] At: https://www.jstor.org/stable/3984519?newaccount=true&read-now=1&seq=2#page_scan_tab_contents (Accessed 26.03.18).
Mulcahy, P. (2015) Basic Aesthetic Features in Visual Processing and Their Influence on Attention and Performance (PhD thesis] National University of Ireland Galway. At http://aran.library.nuigalway.ie/bitstream/handle/10379/4908/2015mulchahyphd.pdf?sequence=1&isAllowed=y (Accessed 20.04.20).
Mulvey, L. (1973) Visual Pleasure and Narrative Cinema’ In: Braudy, L., Cohen, M. (1999) Film Theory and Criticism: Introductory Readings. New York: Oxford University Press. pp. 883-844 [online] At: http://www.composingdigitalmedia.org/f15_mca/mca_reads/mulvey.pdf (Accessed 15.03.19).
Mambrol, N. (2018) ‘Key Theories of Paul Virilio’ In: Literary Theory and Criticism [online] At: https://literariness.org/2018/02/24/key-theories-of-paul-virilio/ (Accessed 12.04.19).
Nash, C. (1993) Re-mapping and Re-naming, New Cartographies of Identity, Gender and Landscape in Ireland, Landscape in Ireland IN: Feminist Review, no 44, Summer 1993, pp. 39 – 57 [online] At: https://books.google.ie/books?id=fZhu51JeM-UC&pg=PA302&lpg=PA302&dq=catherine+nash+Kathy+Prendergast&source=bl&ots=JrlbpnMwem&sig=DpoGuYEDcBrfTNpy3Xvi_g7Yj5o&hl=en&sa=X&ved=0ahUKEwjV9d3_mc7aAhWkIsAKHfuSCHEQ6AEIOzAG#v=onepage&q=catherine%20nash%20Kathy%20Prendergast&f=false (Accessed 22.04.18).
National Centre for Research Methods (NCRM) (2019) Glossary of Multimodal Terms: Embodiment [online] At: https://multimodalityglossary.wordpress.com/embodiment/ (Accessed 11.02.19).
Neel, J. (2019) Breaking the Rules – Rules are Only Rules [online blog] At: http://lensgarden.com/uncategorized/breaking-the-rules-rules-are-only-rules/ (Accessed 15.02.20).
Nochlin, L. (1973) Why Have There Been No Great Women Artists? At: http://www.writing.upenn.edu/library/Nochlin-Linda_Why-Have-There-Been-No-Great-Women-Artists.pdf (Accessed 30.03.20).
Novotyn, K, Wright, K. (2019) Bodies: A Digital Companion [online] At: https://scalar.usc.edu/works/bodies/index?path=dance-introduction-and-contents (Accessed 29.12.19).
Odih, P. (1999) ‘Gendered Time in the Age of Deconstruction’ In: Sage Journals [online] (8), 1 March. At: https://journals.sagepub.com/doi/10.1177/0961463X99008001002 (Accessed 03.05.20).
O’Donahue, A. (2013) Cathleen Ní Houlihan and the Protection of Ireland’s Femininity. [online] At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Cathleen%20N%C3%AD%20Houlihan%20and%20the%20protection%20of%20Ireland’s%20femininity%20%E2%80%93%20Human%20Rights%20in%20Ireland.html (Accessed 28.03.18).
Omes, N.Z. (2019) The Ecofeminist Lens: Nature, Technology & the Female Body in Lens-based Art [Masters Thesis] At: file:///C:/Users/Elaine%20Crowe/Downloads/Omes_The_Ecofeminist_Lens.pdf (Accessed 27.12.19).
Organising Change (2019) Why Patriarchy Persists (and How We Can Change It) [online blog] At: https://organizingchange.org/patriarchy-persists-can-change/ (Accessed 24.12.19).
Perry, L.A.M., Turner, L.H., Sterk, H.M. eds (1992) Constructing and Reconstructing Gender, The Links Among Communication, Language and Gender [online ebook] At: https://books.google.ie/books?id=Wqdg1RbPukQC&pg=PA101&lpg=PA101&dq=the+gendered+pictoial+frame+in+photography&source=bl&ots=xZIkUrDSpA&sig=ACfU3U2bYnupgksWl_1HSoQmRsiHZiJRYw&hl=en&sa=X&ved=2ahUKEwiY95aY8vPmAhV-UxUIHQXTDRQQ6AEwAHoECAUQAQ#v=onepage&q=the%20gendered%20pictoial%20frame%20in%20photography&f=false (Accessed 01.01.20).
phenomenology: https://www.phenomenologyonline.com/
phenomenology: https://ophen.org/
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