GREEN: MA2 bibliography, with ongoing references to BLUE: MA1 bibliography      


Alexander, J.A.P. (2015) Perspectives on Place, Theory and Practice in Landscape Photography. London: Bloomsbury Publishing Ltd.

Arts Tonight (2015) Making 1916: Material and Visual Culture of the Easter Rising. RTÉ Radio 1, 2nd November: 20.00 [radio online] At:!rii=b9_10484617_1538_02-11-2015_ (Accessed on 30.03.18).

Audi, R (1999) ‘Phenomenology’. In: The Cambridge Dictionary of Philosophy, 2nd edition.  Cambridge: Cambridge University Press. pp: 664 – 666.

Barker, J.M. (2009) The Tactile Eye, Touch and the Cinematic Experience. Berkeley: University Press of California Press.

Barthes, R. (1993) Camera Lucida. London: Random House U.K. Ltd.

Baudrillard, J. (2018) Baudrillard, Hyperreality and Simulacra. [online] At: (Accessed on 15.03.18).

Beaumont, C. (1997) ‘Women, Citizenship and Catholicism in the Irish
free state, 1922-1948’ In: Women’s History Review, 6:4, pp. 563-585. At: (Accessed on 28.04.18).

Bishop, C. (2012) Artificial Hells, Participatory Art and the Politics of Spectatorship. London: Verso [online] At: (Accessed on 23.02.18).

Bhreathnach-Lynch, S. (1997) Landscape, Space, and Gender 
Their Role in the Construction of Female Identity [online] At: (Accessed on 01.11.17).

Blackman, L., & Venn, C. (2010). ‘Affect’ In: Body & Society16(1), 7–28 [online]  At: or (Accessed on 19.01.19).

Boland, E. (1980) In Her Own Image. Dublin: Arlen House Ltd.

Bourriaud, N. (1998) Relational Aesthetics [online] At:  (Accessed on 23.02.18).

Butler Cullingford, E. (2008) ’Thinking of Her . . . as . . . Ireland’: Yeats, Pearse and Heaney.  [online] At: (Accessed on 30.03.18).

Cachia, A. (2015) Bodies in Deliberate Motion: The Phenomenology of Complex Embodiment [online]At: (Accessed on 07.02.19)

Clarke, G. (1997) The Photograph. Oxford: Oxford University Press [online] At: (Accessed on 21.03.19).

Collyer Bristow Gallery (2015) Liberties: An Exhibition of Contemporary Art Reflecting 40 Years Since the Sex Discrimination Act [online exhibition guide] At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Liberties+A3_guide_toprint%20a%20womans%20place.pdf (Accessed on 13.10.18).

Cosgrove, D., Daniels, S. (1988) The Iconography of Landscape. Cambridge: Cambridge University Press.

Covey, S. R. (1989) ‘The Power of a Paradigm’ In: The Seven Habits of Highly Effective People. [online] At:,Habits%20of%20highly%20effective%20people.pdf (Accessed on 20.07.19).

Cresswell, T. (2015) Place, An Introduction. 2nd Edition. Chichester: Blackwell Publishing Ltd.

Cummins. P. (2018) Biography. [online] At: (Accessed on 16.02.18).

Cv/VAR, (2011) Interviews – Artists, Patterns of Experience, Recordings 1988-2011. London: Cv Publications.

Dater, J. (2018) Judy Dater. [online] At: (Accessed on 25.11.17).
Day and Gluckman (2018) A Woman’s Place. [online] At: (Accessed on 20.10.18).
Dean, T. Millar, J. (2005) Place. New York: Thames & Hudson.

Dickinson, E. (1924) Time and Eternity. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Emily%20Dickinson.pdf (Accessed on 13.01.17).

Dublin City Gallery (2007) Beyond The Studio, A Symposium on The Role of the Studio in Creative Production Today. Dublin: Dublin City Gallery. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/5649_toprintsymposium%20beyond%20the%20studio.pdf (Accessed on 27.09.17).

Elkins, J. (2002) Stories of Art. New York: Routledge.

Ermens, B. (2016) Gender Subversion in Virginia Wolfe’s Work: Comparing a Room of One’s Own, Orlando and To the Lighthouse [Thesis for BA English Language and Culture] Radboud University Nijmegen. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/virginia%20wolfeErmens,%20Bregje%204339037.pdf (Accessed on 12.13.18).

Fulford, S. (1988) Gendered Spaces in Contemporary Irish Poetry. Oxford: Peter Lang [online] At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Gendered%20Spaces%20in%20Contemporary%20Irish%20Poetry.pdf (Accessed on 20.02.18).

Giddens. A. (2001) ‘Gender and Sexuality’ In: Sociology, 4th Edition. Cambridge: Polity Press. ch 5, pp. 104-140.

Graham, A. M. (2012) Unmarried Mothers: The Legislative Context in Ireland, 1921 – 79. [BA thesis for Degree on M.Litt.] NUI Maynooth. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/M._Litt._Thesis%20unmarried%20women%20policy.pdf (Accessed on 14.12.18).

Gonzalez, M.P. (2011) Landscape in Irish and Iberian Galician Poetry by Women Authors. Vol 13, Issue 5. Perdue: Perdue University Press. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Landscape%20in%20Irish%20and%20Iberian%20Galician%20Poetry%20by%20Women%20Authors.pdf (Accessed on 04.04.18).

Huffman, N. (1997) ‘Charting the Other Maps: Cartography and Visual Methods In Feminist Research’ In: Jones, Nast, Roberts (eds) Thresholds in Feminist Geographies, Difference, Methodologies, Representation. pp. 255-284 [online] At: (Accessed on 28.04.18).

Hancock, P., Hughes, B., Jagger,E., Patterson, K, Russel, R., Tulle Winton, E., Tyler, M. (2000) The Body, Culture and Society, An Introduction, Buckingham: Open University Press [online] At: (Accessed on 20.03.19).

Heartney, E. (2008) Art and Today. London: Phaidon Press.

Highsnobiety [online] At: on 13.05.18).

Holloway, W., Lucey, H., Phoenix, A. (2007) ‘The Body: A Phenomenological Psychological Perspective’ In: Social Psychology Matters [online] At: (Accessed on 19.03.19).

Hyperallergic [online] At: (Accessed on 26.12.18).

IMMA (2010) ‘Participatory and Relational Art’ In The What is? IMMA Talks Series.[online] At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/whatisparticipatroyandrelationalart.pdf  (Accessed on 16.03.18).

Ingold, T. (2013) Making, Anthropology, Archaeology, Art and Architecture. London: Routhledge [online] At: Making – EVA…/Making%20Anthropology%2C%20Archaeology%2C%20Ar… (Accessed on 05.01.19).

Ingold, T. (1993) The Temporality of the Landscape In: World Archaeology, Concepts of Time and Ancient Society. Vol. 25, no 2 (p: 152 – 174) [online] At:  (Accessed on: 24.03.18).

Irish Government (2015) Constitution of Ireland, Article 41. Dublin: Government Publications.

Irish Times (1999) Map of the Human Art [online] At: (Accessed on 12.04.18).

Jackson, R. M. (2018 unpublished) Down So Long: Disputed Ideals, Ideologies of Domesticity and Feminist Rebellion. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/feminsm%20and%20domesticity.pdf (Accessed on 15.02.18).

Keane, M. (2009) National Identity, Case Study: How Do Landscapes Represent National Identity? [online] At: (Accessed on 30.03.18).

Kerlin GAllery (2018) Kathy Prendegast [online] At: (Accessed on 18.04.18).

Kwon, M. (2002) One Place After Another, Site-Specific Art and Locational Identity. London: MIT Press.

Lefebvre, H. (1991) The Production of Space. Oxford: Blackwell Publishers.

Lindemann, G. (1996 ) ‘The Body of Gendered Difference’ In: The European Journal of Women’s Studies. London: Sage Publications. Vol. 3, pp. 341 – 361 [online] At: (Accessed on 15.03.19).

Lippard, L. (1997) The Lure of the Local, Senses of Place in a Multicentered Society. New York: The New Press.

Lojo Rodríguez, L. M. (2006) Female Iconography and Subjectivity in Eavan Boland’s In Her Own Image [online] At: Laura Ma Lojo Rodríguez Universidade de Santiago de Compostela (Accessed on 20.02.18).

Luke, B. (2018) ‘I wouldn’t be here were it not for public funding’: Turner Prize-winner Charlotte Prodger makes case for state support for the arts’ In: The Art Newspaper [online] At: (Accessed on 24.04.19).

Macfarlane, R. (2008) ‘I Walk Therefore I Am’ In: The Guardian [online] At: (Accessed on 14.15.19).

Marshal, C. (2016) Modern Ireland in 100 Artworks: 1984 – Celebration: The Beginning of Labour, by Pauline Cummins. Irish Times [online] At: (Accessed on 13.03.18).

Massey, D. (1994) ‘A Global Sense of Place’ in Space, Place and Gender. Minneapolis: University of Minnesota Press. pp. 146 – 156.

Massumi, B. (2013) Semblance and Event: Activist Philosophy and the Occurrent Arts. Massachusetts: Massachusetts Institute of Technology.

Marks, L. U. (1999) The Skin of Film, Interculturalism, embodiment and the Senses. Durham: Duke University Press.

Marks, L. U. (2002) Touch, Sensuous Theory and Multisensory Media Minneapolis: University of Minnesota Press.

Marks, L. U. (2017) Did We Finally Reach Gender Equality in Thirty Under 30 [online blog] At: (accessed: 14th April 2019).

McAllister, K, (2008) Virilio: Mimesis, Mourning and Modern Technology [online] At: (Accessed on 18.03.19).

McDowell, L. (1999) Gender, Identity and Place, Understanding Feminist Geographies.Cambridge: Polity Press.

Merleau-Ponty, M. (1945) Phenomenology of Perception. London: Routledge Classics [online] At: (Accessed on 07.02.19).

Merleau-Ponty (1964) ‘Eye and Mind’ In The Primacy of Perception. Evanston, USA: Northwestern University Press. pp. 159-190. At: (Accessed on 24.04.19).

Merriam-Webster (2019) ‘Landscape’ definition. In: Merriam-Webster [online] At: (Accessed on 15.03.19).

Mitchell, W.J.T. (1994) Landscape and Power, Second Edition. Chicago: The University of Chicago Press.

MOMA [online] (Accessed on 27.01.18).

Monk, J. (1984) Environmental Review: ER, Vol. 8, No. 1, Special Issue: Women and Environmental History (Spring, 1984), pp. 23-33 [online] At: (Accessed on 26.03.18).

Mulvey, L. (1973) Visual Pleasure and Narrative Cinema’ In: Braudy, L., Cohen, M. (1999) Film Theory and Criticism: Introductory Readings. New York: Oxford University Press. pp. 883-844 [online] At: (Accessed on 15.03.19).

Mambrol, N. (2018) ‘Key Theories of Paul Virilio’ In: Literary Theory and Criticism [online] At: (Accessed on 12.04.19).

Nash, C. (1993) Re-mapping and Re-naming, New Cartographies of Identity, Gender and Landscape in Ireland, Landscape in Ireland IN: Feminist Review, no 44, Summer 1993, pp. 39 – 57 [online] At: (Accessed on 22.04.18).

National Centre for Research Methods (NCRM) (2019) Glossary of Multimodal Terms: Embodiment [online] At: (Accessed on 11.02.19).

O’Donahue, A. (2013) Cathleen Ní Houlihan and the Protection of Ireland’s Femininity. [online] At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Cathleen%20N%C3%AD%20Houlihan%20and%20the%20protection%20of%20Ireland’s%20femininity%20%E2%80%93%20Human%20Rights%20in%20Ireland.html (Accessed on 28.03.18).

Pultz, J. (1995) The Body and The Lens, Photography 1839 to the Present. New York: Harry N. Abrams Inc. Publishers [online] At: (Accessed on 16.03.19).

RIA (1998) Kathy Prendergast [online] At: on 14.04.18).

Rose, G. (1993) Feminism and Geography, The Limits of Geographical Knowledge. Cambridge: Polity Press.

Rose, G. (2007) Visual Methodologies. 2nd Edition. London: Sage Publications [online] At:  file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Rose%20G,%20visual_methodologies_chap%208.pdf (Accessed on 15.02.18).

Seamon, D (2007) A Lived Hermetic of People and Place, Phenomenology and Space Syntax.Kansas: Kansas State University. At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/david_seamon.pdf (Accessed on 20.02.17).

Shephard, N. (1977) The Living Mountain. Aberdeen: Aberdeen University Press.

Solnit, R. (2005) A Field Guide to Getting Lost. London: Penguin Books.

Solnit, R. (2001) As Eve Said to the Serpent, On Landscape, Gender, and Art. Georgia: University of Georgia Press.

Solnit, R. (2001) Wanderlust, A History of Walking. London: Penguin Books.

Sorbchack, V. (1992) The Address of the Eye, A Phenomenology of Film Experience. Princeton: Princeton University Press.

Soul of Ireland – The landscape Painter [television online] At: (Accessed on 14.03.18).

Stirtoaction Occupy LSX (2015) Radical Mapping [online] At: (Accessed on 12.04.18).
Taggart, A.J. (2014) Against Embodied Practice [online blog] At: (Accessed on 15.03.19). 
Tate (2019) Charlotte Prodger [Tate Gallery online]

Trangmar, S (2018) Untitled Landscapes. [online] At: (Accessed on 15.11.7).

Ward, O. (2014) Ways of Looking, How to Experience Contemporary Art. London: Laurence King Publishers.

Wolfe, V. (1927) To the Lighthouse [online] At: file:///C:/Users/Elaine%20Crowe/Documents/my%20OCA%202017%20-%2018/reading/Virginia%20Woolf%20-%20To%20the%20Lighthouse.pdf (Accessed on 13.01.18).

Westgeest, H. (2016) Video Art Theory, A Comparative Approach. Sussex: John Wiley & Sons.

Women and Geography Study Group of the Royal Geographical Society with the Institution of British Geographers (1997) Feminist Geographies, Explorations in Diversity and Difference. Oxon: Routledge.

Yip, N (2013) In Focus: Charlotte Prodger [Frieze online] At: (Accessed on 13.03.19). 

Zangwill, N. (1999) ‘Art and Audience’ In The Journal of Aesthetics and Art Criticism, Vol. 57, No. 3 (Summer, 1999), pp. 315-332 [online] At: (Accessed on 16.04.19).



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